Sort of a mix of William Gibson’s “Neuromancer” and Erich Maria Remarque’s classic World War I novel, in which cyborgs fight inter-dimensional trench warfare over the freedom of an interconnected network of information, fueled by futuristic drugs and the belief that their already short lives are effectively worthless.  Complete with an industrial, post-punk soundtrack, set somewhere along the Pacific rim, and given the discordant, collage-like set design to perfect the image of this futuristic cyber-dystopia, not unlike the works of Winston Smith.